The Bride is Fifteen

0.0 1964 | 79 min

Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.

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Title: The Bride is Fifteen
Original Title: 花嫁は十五才
Year: 1964
Release Date: March 25, 1964
Rating: 0.0/10 (0 votes)
Popularity: 0.4
Runtime: 79 minutes
Genres: 
Director(s): Mio Ezaki
Writer(s): Mio Ezaki, Eitaro Morikawa, Tsutomu Tamura
Producer(s): 
Language: Japanese
Country: Japan
Budget: N/A
Revenue: N/A
Status: Released
Tagline: 
TMDB ID: 1409495
IMDB ID: tt2588696
IMDB Link: https://www.imdb.com/title/tt2588696
TMDB Link: https://www.themoviedb.org/movie/1409495
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OVERVIEW:
Hanayome wa Jūgo-sai, directed by Mio Ezaki and distributed by Nikkatsu, stars Masako Izumi and Ken Yamauchi. The high-key pink background and casual photographic portrait embody Nikkatsu’s 1960s youth-film aesthetic. Clean, hopeful, and pop-oriented. The large white title, handwritten for a softer impression, injects playful energy that contrasts with the strict vertical text blocks. As Japan’s youth culture blossomed after the 1964 Tokyo Olympics, posters like this captured the spirit of romance and rebellion marketed to teenage audiences. The vivid color palette and carefree composition signal a stylistic shift from postwar black-and-white melodrama to the vibrant optimism of modern Technicolor cinema.
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Timestamp: 2026-06-05 22:02:21 CST
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