The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images

6.5 2011 | 66 min

Documentary

A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.

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Title: The Anabasis of May and Fusako Shigenobu, Masao Adachi, and 27 Years Without Images
Original Title: L'anabase de May et Fusako Shigenobu, Masao Adachi et 27 années sans images
Year: 2011
Release Date: July 8, 2011
Rating: 6.5/10 (8 votes)
Popularity: 0.3
Runtime: 66 minutes
Genres: Documentary
Director(s): Eric Baudelaire
Writer(s): Eric Baudelaire
Producer(s): 
Language: English, Japanese, French
Country: France
Budget: N/A
Revenue: N/A
Status: Released
Tagline: 
TMDB ID: 102844
IMDB ID: tt2006160
IMDB Link: https://www.imdb.com/title/tt2006160
TMDB Link: https://www.themoviedb.org/movie/102844
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OVERVIEW:
A film on exile, revolution, landscapes and memory, Anabasis brings forth the remarkable parallel stories of Adachi and May, one a filmmaker who gave up images, the other a young woman whose identity-less existence forbade keeping images of her own life. Fittingly returning the image to their lives, director Eric Baudelaire places Adachi and May’s revelatory voiceover reminiscences against warm, fragile Super-8mm footage of their split milieus, Tokyo and Beirut. Grounding their wide-ranging reflections in a solid yet complex reality, Anabasis provides a richly rewarding look at a fascinating, now nearly forgotten era (in politics and cinema), reminding us of film’s own ability to portray—and influence—its landscape.
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Timestamp: 2026-06-06 02:18:50 CST
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